Let me start off by saying this is by far my favorite
alphabet variation out of all the ones I’ve done. First of all, it’s very easy
to learn, and second of all, since this is my first time using a thick nib, I
saw a considerable amount of difference when it came to the angle. Bennett says
you use the pen angle of 20 degrees (140).
Now that we’ve talked about the pen angle, let’s move on the
width. Bennett says, “The body of these letters is 5 pen widths in height, and
the ascender and descender parts of these letters are very short” (140). If you
have any questions about pen angle or pen widths, feel free to look at my first
blog. After practicing out the position, pen angle, and pen width, I decided to
move to another important aspect of the alphabet: the serifs.
Bennett says the serifs of the Formal Uncial look like the
flared end of a horn, and even though there is a variety of different ways to
make it, you should make it however you feel comfortable (141). I practiced all
the different ways to make the serifs, and I ended up liking making the whole
serif in one continuous stroke, because it tends to keep the lines crisp and
clean.
I practiced the serifs until I got the hang of it, and then
I thought I was ready to start writing the actual alphabet! The main thing I
had to pay attention to as I was writing was to make sure my pen angle was as
perfect as I could get it. This was because the nib was so thick, the wrong pen
angle would stand out and would give the letters the grace and finish they
need. Another thing that wasn’t hard to master, but just took a while to get
used to were the very short ascenders and descenders. In the beginning, out of
habit, I wrote using high descenders and ascenders, and I restarted a couple
times. But, after that, I just had fun with it!
Since this alphabet only has all capital letters, I moved on
to doing different variations. There were a lot (such as: narrow, wide, curly,
crazy, and celtic). My favorite was the celtic variation. You use the same
exact alphabet, but you rearrange the letters in odd ways (Bennett 148). This
is the example I imitated. With this alphabet, you follow the basic guidelines,
and just have fun!
As mentioned before, this is my first time using thick nibs. Both in this blog and online videos/pictures, do you prefer thick nibs or thin nibs? Why?
Bennett,
Jim. Calligraphy for Dummies. For Dummies, 2007. Print.
Hi Seerut! To answer you question, I personally like to work with thin nibs because I like the structure of the letters that way. Which nob do you think is easier to use and why?
ReplyDeleteHello Jasleen! I like working with thicker nibs, because it shows the contrast between the different pen angles. Even though I like the look of thick nibs more, I think that thin nibs are easier, based on my previous experiences of using both thick and thin nibs. I see the reason why you prefer thin nibs, and I agree that with some fonts, you may need a thin nib to achieve a very clean edge. Why do you think it's important to understand how to use both thick and thin nibs to a calligrapher? Why?
DeleteNicely done Seerut, I had been thinking about doing the uncial font but I had tried it and I could not get the curves down right. You did a nice job with this, I actually have not used nibs before, I have been working with pencil I found it pretty easy to work with.
ReplyDeleteThank you Madison! I think if you were to use a calligraphy pen, it would be a lot easier to do this font. With a pencil, some fonts cannot just be done. After you have a calligraphy pen, all you would have to do is follow the correct pen angle and position. If you feel like calligraphy is something you can be invested in, I strongly recommend getting a calligraphy pen. After viewing this font on this blog, are you considering getting a calligraphy pen? Why or why not?
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